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Can KONA IP25 capture an HDMI console directly?
No. The documented video input is uncompressed SMPTE ST 2110 over its SFP media interfaces. The separate RJ-45 is a 1GbE configuration/control port, and the card does not document an HDMI source input. An HDMI or SDI source needs an appropriate, separately researched bridge into the required IP standard.
Explore this need in the finder →Can it form a documented Windows 4K60 ST 2110 ingest route?
AJA lists KONA IP25 4K DCI/UHD formats through 60p, Windows support and AJA Control Room for capture/playback. The source still needs a commissioned ST 2110 path: compatible SFPs, a managed 10/25GbE network, PTP timing and stream configuration. This review records one receive stream, not the card's maximum concurrent channel mix.
Explore this need in the finder →Will an ordinary 1GbE RJ-45 connection carry the captured video?
No. AJA assigns that 1GbE RJ-45 to out-of-band configuration and control. The IP media uses the two SFP28 cages at compatible 10 or 25GbE speed; SFPs are not included, and the v18 manual says to use fiber SFPs rather than direct-attach copper.
Explore this need in the finder →Is the KONA IP25 OBS Studio route established?
The current AJA KONA compatibility matrix includes a KONA IP25 column but leaves the OBS Studio row unmarked for that model. The AJA manual documents Control Room as its capture/playback application; this evidence does not establish an OBS plan. A buyer who requires OBS should choose another model with an explicit OBS mode rather than treating generic driver availability as proof.
Explore this need in the finder →The AJA KONA IP25 is a professional PCIe capture-and-playout board for a specific kind of source: uncompressed SMPTE ST 2110 video arriving over a managed IP network. It is not an HDMI or SDI connector card, and its 1GbE RJ-45 socket is a control connection, not a video input. That distinction sets the buying decision before resolution or software: this board makes sense when the facility already has an IP-video path to receive, not as a direct adapter for a console or camera cable.
Network input, not a conventional video socket
AJA's product page and v18 manual identify two SFP28 media cages, each configurable for 10 or 25 Gigabit Ethernet, alongside a separate 1GbE RJ-45 for out-of-band configuration and control. The modules are not included. The manual calls for compatible fiber SFPs, matching link speed at both ends, a switch that supports the selected modules and bandwidth, and manual speed configuration; it says direct-attach copper is unsupported. A 25GbE board connected to a nominally fast-looking but mismatched path is not a documented capture setup. Confirm the exact fiber type, SFP compatibility, switch and source standard before treating a port count as a usable signal path.
The distinction between IP input and ordinary copper Ethernet is useful in a system diagram. SMPTE ST 2110 separates uncompressed video, audio and ancillary streams across a network, with timing and control requirements that ordinary HDMI or SDI devices do not use. The card carries on-board PTP and NMOS-related control, but it still needs network configuration and sources that publish the expected streams. AJA's SDK device reference says to configure each media link's speed and address and to provide source addresses for capture; a plain RJ-45 cable to a camera does not replace that work.
4K formats do not mean a guaranteed four-stream workload
The current specification lists 10-bit YCbCr 4:2:2 and 12-bit RGB 4:4:4 formats up to 4K DCI (4096 × 2160) and UltraHD (3840 × 2160) through 60p, as well as HD timings through 1080p60. This is a meaningful ceiling for a correctly assembled ST 2110 workflow. But AJA marks some channel counts as format- or application-dependent, and the developer reference describes two simultaneous receive and two transmit paths across the two SFP cages. Neither headline should be read as proof that any number of mixed 4K feeds can coexist at their maximum rate. The finder plans and this review therefore use one received stream; facility engineers should confirm the intended raster, bit depth, timing, channel mix and application with the current AJA configuration documents.
The sheet also lists support for SDR/HDR transfer characteristics, colorimetry and luminance carried through an SDP file. That metadata capability is not the same as a tested or fully specified HDR capture workflow in every application. I have not assigned a 4K60 HDR recording plan, a monitor passthrough mode, or an OBS workflow from those terms. The card has IP transport and playout, but no direct display-loop path comparable to an HDMI capture card's gaming passthrough.
Control Room is documented; do not assume OBS
AJA's KONA IP25 manual describes AJA Control Room as a cross-platform application for ingest, playback and output with AJA devices, and the exact product page lists Windows, macOS and Linux support. AJA's current KONA-family compatibility chart has a KONA IP25 column; its OBS Studio row is unmarked for this model. That is why the supported sample plan here uses Control Room rather than OBS. Software support changes by application, operating-system version and driver release; on Linux the manual specifically says driver support depends on the application vendor. A product family or generic driver listing is not evidence for a specific application-and-mode pairing.
AJA's v18 documentation also describes an external chassis route: the card can be installed in a compatible Thunderbolt 3 or Thunderbolt 4 PCIe expansion chassis. That can help a supported workstation without an internal slot, but it is a distinct system configuration, not a built-in Thunderbolt port on the card. The chassis must supply adequate power and PCIe lane access. AJA's standard board is full-height and single-slot, so check the workstation, case, bracket and enclosure before ordering. The exact US retail SKU and the included card, SFPs, chassis or accessories were not resolved from the manufacturer page; do not assume an image depicts the seller's package.
Network commissioning is part of the purchase decision
The v18 manual recommends a PTP-aware network clock, managed and IGMP-aware switches, sufficient bandwidth for the expected capture and playback load, and trained network administration for multi-seat deployments. If ST 2022-7 redundancy is required, it says two independent network infrastructures are needed for true redundancy. These are not optional performance tips for a plug-and-play home setup; they are part of what makes the signal path possible. The RJ-45 management port and SFP media ports have separate jobs, and the two SFP cages do not themselves supply a switch, optics, PTP grandmaster, network configuration, source mapping or compatible app.
For a production or broadcast workstation that already needs an ST 2110 endpoint, KONA IP25 combines a PCIe capture/playout card, IP timing/control and 4K-capable uncompressed receive modes in one model-specific path. For a gaming streamer, analog digitizer or casual HDMI camera connection, it is the wrong category of input unless a separate compatible bridge and network workflow are already planned. Compare it with the earlier AJA KONA IP only after checking revision, standard support and software history: the IP25 is a distinct current model, not a renamed or inherited revision of that older board.
Before buying, confirm the exact KONA IP25 model, host slot or separately powered TB3/TB4 chassis, operating-system and AJA Desktop Software release, the chosen 10/25GbE SFP modules and fiber, switch compatibility, PTP/NMOS configuration, intended stream count and current app support. The manufacturer pages document capabilities but do not establish a particular retailer's current stock, package, condition, warranty or successful end-to-end result. This assessment is based on primary documentation; it does not claim hands-on testing or system measurements.
Primary references: the AJA KONA IP25 product page and technical sheet, the KONA IP25 v18 manual, AJA's NTV2 device reference, and its KONA software compatibility chart.
Key specifications
Key details at a glance
| Signal input | Uncompressed SMPTE ST 2110-20 IP video received through two 10/25GbE SFP28 media cages; the separate 1GbE RJ-45 is for configuration and control, not a video-source port. |
|---|---|
| Confirmed capture formats | AJA's current sheet lists 10-bit YCbCr 4:2:2 and 12-bit RGB 4:4:4 formats through 4K DCI/UHD 60p, with 1080p through 60p; format, host and application affect multi-channel operation. |
| Confirmed passthrough formats | |
| Computer connection | Eight-lane pcie gen 4.0 internal card; aja's v18 manual also permits a separately powered thunderbolt 3 or thunderbolt 4 pcie expansion chassis. |
| Named compatible software | AJA Control Room is documented as a cross-platform application for ingest, playback and output with AJA devices. / AJA's current KONA compatibility matrix does not mark OBS Studio for KONA IP25; OBS support is not assigned. |
| HDR recording | The technical sheet lists sdp-file support for sdr/hdr transfer characteristics, colorimetry and luminance. no rate-specific hdr recording plan in a named capture application is established here. |
Use the exact model’s instructions for operating limits, supplied equipment and version differences.
Sources for this review
Sources for this assessment
- AJA KONA IP25 exact manufacturer product page
- AJA KONA IP25 manufacturer technical specification sheet
- AJA KONA IP25 Transport, Capture, Display Manual v18.0
- AJA KONA IP25 support and versioned downloads page
- AJA NTV2 SDK device reference: KONA IP25
- AJA KONA-family software compatibility matrix
- AJA Developer-family product listing, exact KONA IP25 entry
- AJA KONA IP25 exact manufacturer product image linked by the model page
Check your complete signal path
Choose the source format, desired captured signal, passthrough target, computer connection and software together. A single device must support that whole arrangement.
